Should ‘Tenet’ Come Out This Summer?

Last week we were graced with a new titillating trailer for Christopher Nolan’s upcoming mind-bender, Tenet. I viewed it just as the auteur had intended, via Fortnite. (Sorry, that’s still funny to me.) I am once again fascinated by Nolan’s own fascination with time. I’d like to think that if Nolan weren’t a writer-director extraordinaire, he’d be an excellent watchmaker.

Missing from the trailer this time around is any mention of the film’s release date, instead brandishing the tag: “Coming to theaters.” It appears Warner Bros. is crossing fingers these next few weeks, monitoring economic forecasts as counties, states, and other countries slowly begin to ease restrictions. Nolan, backed by the studio and an at-risk cinema state, is doing his utmost to save his medium’s exhibition by making good on Tenet’s summer tentpole release. But with a still-rising death count, new safeguards in place, and warnings of a second wave, it’s not a question of will Tenet come out this summer, but should it? Continue reading

‘Extraction’ Review – A Fun and Forgettable Netflix Actioner

At one point in Extraction, Chris Hemsworth presses a dude’s face into an upturned rake. Hemsworth should’ve capitalized on the moment like the most glorious of all character introductions, stating coolly: “Rake. The name’s Tyler… Rake.” Extraction is the kind of B-movie actioner tailor-made for our current stay-at-home viewing impulses, and a particular kind of Marvel-actor brand slowly carving out a genre space in Netflix’s domain. Some of us might crave something with a little more substance, but in the listless routine of our quarantine days, a quick adrenaline fix can go a long way. Continue reading

‘Knives Out’ – A Satisfying Whodunnit, A Better Social Satire

To be frank, Rian Johnson feels overqualified for the whodunnit. Known for his subversive-style storytelling, Johnson has a knack for one-upping the genres he’s operating in: Brick, a high school thriller wearing a hardboiled fedora & trench coat; Looper, a time-travel movie more invested in drama than sci-fi; and The Last Jedi, an age-old good vs. evil blockbuster that transcends Chosen One tropes. With Knives Out, Johnson is back in detective mode, but the genre can’t contain his ideas or idiosyncrasies. Knives Out is flesh and blood a murder mystery, but the real hat-trick is that it’s simultaneously a satire that slyly carves its way into the beating political heart of America. Continue reading

‘Crawl’: Draining the Superhero Swamp

January and February are typically months spent catching up on all the movies I’ve missed in the last year. Though I may write and tweet insufferably endlessly about film, I will forever be late to the hype train. Because for each one movie I obsess over, there are 10 others passing below my radar. I recently went HAM on all the sweet Blu-ray deals I could find for myself (as a treat). Among the score was Crawl, a creature-feature & underrated B-movie gem that I sadly skipped in 2019. I wish I hadn’t because holy shit does this movie rule. Continue reading

The Rise of Skywalker and the Limits of J.J. Abrams

For as long as I’ve known him as a moviegoer, J.J. Abrams has done the impossible. He made me a fan of franchises like Mission: Impossible and Star Trek. That may sound hyperbolic considering De Palma’s Mission: Impossible is as iconic as its centerpiece CIA heist sequence, and that Star Trek is as immediately recognizable in geek iconography as the mere parting of your fingers. But I was never a fan of either until Abrams put his stamp on both properties.

J.J. Abrams became THE go-to guy to resuscitate any dormant film franchise, and he’s since gone on to shape the modern blockbuster as we know it like a valiant successor to Spielberg. As a result, Hollywood has entrusted him with the reins of not one but two of its most sacred franchises in Star Trek and Star Wars. Needless to say, it’s been very easy to hop on the J.J. Abrams train. Continue reading