I Saw ‘Infinity War’ Five Times

This isn’t a cry for help.

I’ve seen Infinity War five times now. (Just one more and my Infinity War Gauntlet is complete!) With the rest of summer movie season underway, I suppose it’s time to bid farewell to the most ambitious superhero crossover – that is, until the Blu-ray comes out. Of course, the film’s theatrical run is nowhere close to being over. The film is principally eyeing down The Force Awakens’ global tally, with Titanic soon in its crosshairs. (We go live to James Cameron in 5…4….) Infinity War will enjoy a storied box office run, but it’s cultural moment has surely come to an end.  Continue reading

In Defense of Guillermo del Toro’s ‘Pacific Rim’

If there’s any action director we took for granted, it’s Guillermo del Toro. Few recall that he did Hellboy. Even fewer remember Blade II. Admittedly, this is a hard thing to raise hell over especially with his recent Oscar-winning glory, one felt by critics and devoted fans. Del Toro is a critical darling who’s achieved occasional box office success, which is perplexing considering he’s done both the superhero and the summer blockbuster. Of his mainstream films, I can’t think of a more sorely overlooked summer movie than del Toro’s Pacific RimContinue reading

Best Movie Moments of 2017

When writing about movies, I often use the term “cinematic.” Movies are obviously cinematic, but sometimes a film takes an idea or a moment and pushes it to the fore. It can capitalize on the experience of the film, or transcend the film entirely where it becomes the thing audiences rave about. I live for these moments. 2017 was chock full of them and I’ve handpicked ten that entertained and enraptured me. This may or may not be an indicator of what will end up on my upcoming best film list. While I am still busy catching up on the movies I’ve missed, here are my favorite movie moments of 2017.  Continue reading

Nobody Puts ‘Baby Driver’ in a Corner

When Baby and Debora first meet, they fret about who’s got more songs based off their name. “You’ve got us beat,” Debora remarks of Baby. “You’re in all the songs!” She’s not wrong. Baby Driver takes its name from a Simon & Garfunkel song, while Debora, referencing a 90’s Beck song, notes that the track isn’t even about her, but a sister named Jenny, the lead singer wanting to get with the two of them. Neither Baby nor Debora need to spin themselves in circles about their namesake because writer-director Edgar Wright spins an ode to genre cinema and jukebox nostalgia, one so rhythmic and catchy that we’ll be singing to the tune of Baby and Debora while gleefully soaring down the highway. At a reasonable speed, of course.  Continue reading

‘La La Land’: Someone In The Crowd

One of the most iconic shots in La La Land (and there are plenty of them) comes early on during Mia’s melancholy walk home. A walk of shame. Her car’s been towed, she’s living in the city of her dreams, a city that shuns her all the same, and she finds herself wondering if she’s good enough. It’s an all-too-familiar road, one she embarks on after each failed audition. On this particular stroll, she finds music that suits her mood, and follows the bread crumbs of the melody to find Sebastian.  Continue reading