My 2021 wrap-up has officially begun. I’m kicking things off with a top ten ranking of my favorite movie previews of last year.Continue reading
Dear Christopher Nolan,
I understand and completely empathize with what you and Warner Bros. are doing. Theater chains are at risk and the longer the pandemic goes on, screens will vanquish by the whole. As a devout moviegoer, there is no greater existential crisis. We go to the movies, as you so eloquently put it, not to be alone— but to be together. Continue reading
Last week we were graced with a new titillating trailer for Christopher Nolan’s upcoming mind-bender, Tenet. I viewed it just as the auteur had intended, via Fortnite. (Sorry, that’s still funny to me.) I am once again fascinated by Nolan’s own fascination with time. I’d like to think that if Nolan weren’t a writer-director extraordinaire, he’d be an excellent watchmaker.
Missing from the trailer this time around is any mention of the film’s release date, instead brandishing the tag: “Coming to theaters.” It appears Warner Bros. is crossing fingers these next few weeks, monitoring economic forecasts as counties, states, and other countries slowly begin to ease restrictions. Nolan, backed by the studio and an at-risk cinema state, is doing his utmost to save his medium’s exhibition by making good on Tenet’s summer tentpole release. But with a still-rising death count, new safeguards in place, and warnings of a second wave, it’s not a question of will Tenet come out this summer, but should it? Continue reading
The most disturbing moment in Joker for me by far, is the scene that follows the subway murders. Arthur locks himself in a public bathroom, looks at both himself and what he’s done in the mirror then starts to… dance. Violence brings Arthur such unspeakable power (perhaps even joy) and the only way he can express that release of emotion is by waltzing with himself like one would in, say, a vaudeville musical. It’s a disturbing portrait of nihilism, narcissism, and psychopathy that I couldn’t stomach. Continue reading
Do androids dream of electric sheep? Perhaps androids could if they actually slept. There’s not a single scene in Blade Runner 2049 where a character, human or replicant, is seen dozing off. Considering the experience of the film, that might precisely be the point. Each scene is so beautifully and evocatively rendered that it feels as though we’re in a dream, which goes on to complicate what’s “real.” Blade Runner may have asked what it means to be human, but 2049 forces us to reconsider the validity of emotions and memories and whether they’re exclusive to the human experience. Because if the human experience can be manufactured, what does that make humanity other than a baseline for something better? Continue reading