Writing About Film – Favorite Entertainment News Sites

How do you write about film?

This is a question I get asked the most frequently. I’ve never been one to open up about my process, but 100 posts in, it’s past time for me to pass some things along. Blogging has given me so much. I’d like to give back. This feels like a good place to start.

This might come as a shock, but I never set to writing about a movie or a topic straightaway. I read about it first. I think and I read. I obsess. I gauge other opinions and see what people have noticed, and more importantly, what they haven’t. Fortunately, there’s no shortage of entertainment news sites that inform and enlighten me on the movies I love. If you’re looking to start a film blog, maybe need some sources to refer back to, or just want to see where I steal my ideas from, you’re in luck. I’ve narrowed down five film websites that keep me obsessed daily. Film is an addiction and these sites make it worse in the best possible way.  Continue reading

‘La La Land’: Someone In The Crowd

One of the most iconic shots in La La Land (and there are plenty of them) comes early on during Mia’s melancholy walk home. A walk of shame. Her car’s been towed, she’s living in the city of her dreams, a city that shuns her all the same, and she finds herself wondering if she’s good enough. It’s an all-too-familiar road, one she embarks on after each failed audition. On this particular stroll, she finds music that suits her mood, and follows the bread crumbs of the melody to find Sebastian.  Continue reading

‘Beauty and the Beast’: If It’s Not Baroque, Don’t Fix It

What is it about love stories that endure? Romeo and Juliet. Elizabeth and Mr. Darcy. Beauty and the Beast. Stories we keep coming back to. Tales as old as time. Just as these classical pairings of characters fall for each other, we, in turn, fall for them. They become emblematic of love. A portrait. A song and dance. Disney’s live-action remake of Beauty and the Beast may not change anything we know and love about the original, but the film reminds us why classical tales of woe are not only timeless, but enrapturing.  Continue reading

‘La La Land’: A Bit of Madness is Key

What is it about dreams that make them so unbearably cinematic? Perhaps it’s the chase, the song and dance of it. The grandiosity, vividness. Or its proximity. How close it seems once we’ve projected the idealized versions of ourselves in the cinema of our subconscious. I suppose the real question is what makes us want to chase our dreams when the world tells us otherwise. When we’ve faced rejection, tasted failure. How long do we go on chasing something until we realize we’re just making a fool of ourselves?  Continue reading

‘Arrival’: The Universal Language of Film

“Language is the cornerstone of civilization,” Dr. Louise Banks writes in her preface. Ian Donnelly, a theoretical physicist, counters that science is the true foundation, completely neglecting the communicative platform that enables him to express this belief. I suppose we all take language for granted. We know how to construct words that form sentences that in turn express thought, but we fail to recognize the system that allows us to frame thought into words. Syntax. Order and meaning; it’s symbiotic but in many ways alien to us, because even the slightest misunderstanding can have dire consequences: “[Language] is the glue that holds people together. It is the first weapon drawn in a conflict.”  Continue reading