The thing about Sam Raimi is that he was once a magician.
Over his indelible career, Raimi’s garnered a reputation as a horror director, a Three Stooges-slapstick connoisseur, and the guy who brought Spider-Man to the big screen. He’s got the director origin story of many a renowned filmmaker from Steven Spielberg to J.J. Abrams – grabbing ahold of his parent’s 8mm camera and making movies with family and friends. But there’s another alter-ego hidden in his backstory that I think puts everything into perspective: lil Sam Raimi used to perform magic tricks at kid’s birthday parties.
Raimi might’ve been a Spider-Man dork throughout his childhood, but he was secretly perfect for a Doctor Strange movie one day.
Continue reading “‘Doctor Strange in the Multiverse of Madness’ Review – Sam Raimi’s Back, Baby!”
I didn’t know who Sam Raimi was at 10-years-old, but I knew Spider-Man. The animated series was part of my Saturday morning ritual as a kid. And like every kid in 2002, I was stoked for the live-action Spider-Man.
I was a Batman fan my whole life. But after Spider-Man’s dazzling and high-flying cut to black – which gave my scrawny kid body such a weightless sensation that I thought was only possible on roller coasters – I was convinced I’d get a Spider-Man tattoo. I didn’t, sadly, but I’d become a fan of Raimi’s iteration of the web crawler forever.
Continue reading “‘Spider-Man’ – When Sam Raimi Cracked the Modern Superhero Formula”
I love Spider-Man 2. Unabashedly. Wholeheartedly. With Spider-Man: No Way Home finally out, I wanted to revisit my favorite Spider-Man movie of all time—why I love it as a drama over a comic book action movie, and why, frankly, I’m forever nostalgic for the standalone superhero movie.
Continue reading “Spider-Man 2: The Ultimate Superhero Movie”
Last night, before heading off to watch Venom, some friends and I gathered to behold the modern-day masterpiece known as Spider-Man 3. I’m half being ironic here because we expected to cover our eyes out of cringe-inducing embarrassment. What we found instead was a much more watchable film than any of us remembered. Spider-Man 3’s problems, like its unaffecting villains, are still there, but they are no more outrageous than the sins committed by some of today’s biggest studio misfires. Spider-Man 3 may have emerged as an unexpected gif-sensation, but it is also an interesting case study as far as where Sony was with its veritable Spider-Man franchise and, unfortunately, where it still is. Continue reading “A 2018 Look at ‘Spider-Man 3’”