‘Doctor Strange in the Multiverse of Madness’ Review – Sam Raimi’s Back, Baby!

The thing about Sam Raimi is that he was once a magician.

Over his indelible career, Raimi’s garnered a reputation as a horror director, a Three Stooges-slapstick connoisseur, and the guy who brought Spider-Man to the big screen. He’s got the director origin story of many a renowned filmmaker from Steven Spielberg to J.J. Abrams – grabbing ahold of his parent’s 8mm camera and making movies with family and friends. But there’s another alter-ego hidden in his backstory that I think puts everything into perspective: lil Sam Raimi used to perform magic tricks at kid’s birthday parties.

Raimi might’ve been a Spider-Man dork throughout his childhood, but he was secretly perfect for a Doctor Strange movie one day.

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Avengers: Age of Ultron

avengers-assemble“The city is flying, we’re fighting robots – and I have a bow and arrow. None of this makes sense.” Correction, Hawkeye, none of this should make sense. But it does. A superfast whiz-kid, a telekinetic enchantress, a synthesized A.I. Throw in a tidal wave of robot drones and you’d think the film would tip over from the massive weight of its characters. Amazingly, writer-director Joss Whedon keeps everything grounded, even when the plot calls for many, many things to soar simultaneously. Age of Ultron is a funnier, darker, and far more action-packed film than its predecessor, but not necessarily a better one. Still, there’s plenty of things to marvel at in this worthy sequel.
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