In Praise of David Fincher’s ‘The Girl with the Dragon Tattoo’

“She’s different,” Armansky says, words that mark the worldwide iconographic appeal of the title-heroine. “In what way?” Dirch Frode asks. “In every way.” I can’t think of a more unique blockbuster in recent memory. No, not the R-rated drama aspect of David Fincher’s lurid and underrated gem. The hard-R studio adult franchise, or the promising start of one. Considering Fincher never got to see through to a trilogy, The Girl with the Dragon Tattoo remains as a defiant standalone movie that’s wholly unique and of a blockbuster caliber that’s rarely been attempted since. Continue reading

A 2018 Look at ‘Spider-Man 3’

Last night, before heading off to watch Venom, some friends and I gathered to behold the modern-day masterpiece known as Spider-Man 3. I’m half being ironic here because we expected to cover our eyes out of cringe-inducing embarrassment. What we found instead was a much more watchable film than any of us remembered. Spider-Man 3’s problems, like its unaffecting villains, are still there, but they are no more outrageous than the sins committed by some of today’s biggest studio misfires. Spider-Man 3 may have emerged as an unexpected gif-sensation, but it is also an interesting case study as far as where Sony was with its veritable Spider-Man franchise and, unfortunately, where it still is.  Continue reading