Okay, I’m Hyped for ‘The Batman’

After Christopher Nolan’s Dark Knight trilogy and certainly after Zack Snyder’s brief trial run, I felt like the Caped Crusader could benefit from an overdue sabbatical, and frankly so could we. There’s been a Batman film (or films featuring the Batman) roughly every 3 years since 2005. Even for a lifelong Batman fan that’s excessive.

When Matt Reeves was tapped to write and direct another reboot with Robert Pattinson queued as the next Bruce Wayne, I did my best to feign exasperation despite some excellent sneak peeks. “Darker” and “grittier” they said it would be, or “raw & unsanitized.” Up until DC’s FanDome event, I was all for Warner Bros. hanging up the cape and cowl. But after this weekend’s trailer, I am formally withdrawing my objections. Gimme raw and unsanitized Batman movies for as long as I live. Continue reading

Constantine – The Anti-Comic Book Adaptation

I don’t know what it is about Keanu Reeves but I love revisiting his movies. Point Break, Speed, The Matrix, and absolutely Bill & Ted. (There will be no Bill & Ted slander on this site, thank you very much.) These films are all revered and adored in their own right, but if there’s one amongst his filmography that remains sorely underrated, it’s Constantine. Last weekend Reeves and director Francis Lawrence headed a Comic-Con home panel to celebrate the cult film’s 15-YEAR ANNIVERSARY. Take it from me, Constantine is one of the best superhero movies you’ve never seen, and it’s past time the film has gotten its due. Continue reading

Oscars 2019: Best Picture – ‘Black Panther’ Is Absolutely Oscar-Worthy

What makes a Best Picture? I ask this because I think a lot of us use the platform of the Oscars to represent our personal taste and opinions. That’s a little too singular for an organization comprised of 7,000 members. Think bigger than critics and Rotten Tomatoes scores. Think about the cultural moment we’re in. Think about what film as a medium can do, and how both the modern condition and today’s technology can push that. Continue reading

Why We Need Deadpool

It seems only fitting that after the most ambitious superhero crossover we get a Deadpool movie. The perfect contrast: a small-scale solo venture and an R-rated satire with other superhero IPs in his crosshairs including himself. It’s also the perfect antidote. Genres tend to go unchecked as studios blindingly chase where the money’s at. With Batman, Iron Man, Captain America, and now Black Panther hitting it big, this ensures more of their comic book brethren to follow, meaning more origin stories, crossovers, more tropes done to death if it means a shot at a billion dollars. Deadpool, fortunately (or unfortunately), is the superhero genre’s own system of checks and balances.  Continue reading