‘Wonder Woman’: Dawn of the Female Superhero

When Diana isn’t kicking ass or leading the charge, she’s often at the mercy of endless mansplaining. She enters a room full of male delegates and is sneered upon because it’s no place for a woman. Or she’s standing before an audience of generals and basically told, “we’ll take it from here.” The film may be set in the throes of World War I, but let’s face it, women endure male condescension no matter what century they’re in.  Continue reading

‘Logan’: A History of Violence

“There are no more guns in the valley,” Laura says in her eulogy. She and her band of mutants are no longer on the run, but their safety, much like their hopes of a future, come at a cost. The line is a reference to the 1953 Western Shane, a film that operates as key thematic influence in Logan; a film within a film. Logan itself is a film within a larger film universe (and an ever-expanding Marvel brand), which, like it’s overt film referencing, is all but impossible to ignore. Logan stands tall as an outlier, doing away with end-of-the-world plots, superhero team-ups, and allusions to future installments, servicing an even greater payoff that not only honors its comic book origins, but transcends them.  Continue reading

Dawn of DC

batman-vs-superman-trailer-image-56Comic book fans are still reeling from the whirlwind of footage shown at Comic-Con. Trailers for Suicide Squad and Batman V Superman undoubtedly stole the show, and the anticipation for DC’s long-awaited summer pairing is at a fever pitch. We now have a better glimpse at what Warner Bros. is trying to create. It’s grand. It’s demented. And my, is it perfect. Continue reading